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Kata-guruma

肩車かたぐるま

  • Te-waza
  • Gokyō: Dai-sankyō
  • Nage-no-kata

Key idea

The defining action lifts uke across the shoulders and back of the neck after controlling a leg and breaking balance forward.

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Kodokan official demonstration

VISUAL GUIDE

How to read the movement

The central principle of Kata-guruma is the coordinated action that lifts uke across the shoulders and back of the neck after controlling a leg and breaking balance forward.

This technique has specific competition restrictions. Practise only under qualified supervision and check the current rules before use.

Tori
the person applying the technique
Uke
the person receiving the technique
Red line
main direction or point of contact

AT A GLANCE

Classification representative

Kata-guruma technique shape: Complete the defining action.
肩車Kata-guruma · Te-waza

IN SEQUENCE

Three basic phases

  1. 1Create usable imbalance
  2. 2Enter and stay connected
  3. 3Complete the defining action

Original AI-generated educational illustration for TokyoWaltz, 2026. A simplified three-stage concept; practise under qualified instruction.

PLAY WHEN NEEDED

Watch the basic movement slowly

  1. 1Starting pointCreate usable imbalance
  2. 2Decisive actionEnter and stay connected
  3. 3CompletionComplete the defining action

1 / 3Starting point— Create usable imbalance

Follow the red line and phase indicator. The guide does not autoplay or loop.

How it works

The central principle of Kata-guruma is the coordinated action that lifts uke across the shoulders and back of the neck after controlling a leg and breaking balance forward.

  1. Kuzushi

    Create usable imbalance

    Create the imbalance described by the official definition and continue it into the entry. Uke should not be able to recover stable support before the decisive action.

  2. Tsukuri

    Enter and stay connected

    Enter with stable posture and continuous control. Use the official demonstration to check the required position, contact line, and direction.

  3. Kake

    Complete the defining action

    Complete the defining action described in the official definition and shown in the demonstration. Maintain control through uke’s fall.

Key points

  • To identify Kata-guruma, watch for the moment the hand-led control becomes decisive rather than naming the technique from the landing alone.
  • The official definition centres on an action that lifts uke across the shoulders and back of the neck after controlling a leg and breaking balance forward.
  • When reviewing Kata-guruma, check that balance breaking, contact and direction stay connected from entry through the controlled finish.

Similar techniques

TechniqueJapanese nameKey difference
Tai-otoshi体落Tai-otoshi converts front-corner instability into a forward drop across a positioned body line; Kata-guruma lifts uke across the shoulders and back of the neck after controlling a leg and breaking balance forward.
Sukui-nage掬投Sukui-nage scoops and lifts the lower body; Kata-guruma lifts uke across the shoulders and back of the neck after controlling a leg and breaking balance forward.
Seoi-otoshi背負落Seoi-otoshi draws uke forward across the back; Kata-guruma lifts uke across the shoulders and back of the neck after controlling a leg and breaking balance forward.

Reference

Open the detailed source material when you need definitions, technical distinctions, training context, or references.

Official definition

What this technique is

Within the Kodokan list, Kata-guruma belongs to hand techniques. Its name is attached to the action that lifts uke across the shoulders and back of the neck after controlling a leg and breaking balance forward, not to every contest exchange that ends in a similar fall or final position. The official Kata-guruma demonstration is therefore the best starting point for recognizing the technique before comparing variations in timing, grip or stance.

Core principle

The central principle of Kata-guruma is the coordinated action that lifts uke across the shoulders and back of the neck after controlling a leg and breaking balance forward. In this technique, timing, balance breaking and continuous control must work together. Pause the official Kata-guruma demonstration before the decisive action and check what support remains, where contact is maintained and whether tori is lifting, reaping, blocking, rotating, wrapping or applying controlled pressure.

Detailed execution

Key recognition points

  • To identify Kata-guruma, watch for the moment the hand-led control becomes decisive rather than naming the technique from the landing alone.
  • The official definition centres on an action that lifts uke across the shoulders and back of the neck after controlling a leg and breaking balance forward.
  • When reviewing Kata-guruma, check that balance breaking, contact and direction stay connected from entry through the controlled finish.

Distinguishing this technique

The practical identifying feature of Kata-guruma is the hand-led control: lifts uke across the shoulders and back of the neck after controlling a leg and breaking balance forward. Compare that action with neighbouring names in the same Kodokan category. If the contact point, control route or sacrifice direction changes, the result may belong under a different official name even when the landing position looks similar.

Training and safety

Training and safety

Practise only under a qualified Judo instructor with controlled entries, safe falling space and an agreed stopping procedure. The Kodokan technique name and its use in a particular competition ruleset are different questions; current IJF rules restrict direct leg-grabbing actions, so confirm the permitted application before competitive use.

Competition rules

Competition note

This Kodokan-recognised technique is not a permanent competition-status label. Under the IJF Sport and Organisation Rules dated 14 August 2026, hooking or grabbing the leg, gripping the trousers, or touching below the top of the inner thigh with the hand or arm is penalised with shido. Whether a particular variation is permitted depends on the actual contact and execution.

Sources