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Ippon-seoi-nage

一本背負投いっぽんせおいなげ

One-arm shoulder throw

  • Te-waza
  • Gokyō: Not one of the current 40 throws

Key idea

The defining action converts forward instability into a close back-and-shoulder carrying relationship.

Last updated:

Kodokan official demonstration

VISUAL GUIDE

How to read the movement

Ippon-seoi-nage converts forward instability into a close back-and-shoulder carrying relationship.

Tori
the person applying the technique
Uke
the person receiving the technique
Red line
main direction or point of contact

AT A GLANCE

Classification representative

Ippon-seoi-nage technique shape: Complete the action.
一本背負投Ippon-seoi-nage · Te-waza

IN SEQUENCE

Three basic phases

  1. 1Create the imbalance
  2. 2Enter with control
  3. 3Complete the action

Original AI-generated educational illustration for TokyoWaltz, 2026. A simplified three-stage concept; practise under qualified instruction.

PLAY WHEN NEEDED

Watch the basic movement slowly

  1. 1Starting pointCreate the imbalance
  2. 2Decisive actionEnter with control
  3. 3CompletionComplete the action

1 / 3Starting point— Create the imbalance

Follow the red line and phase indicator. The guide does not autoplay or loop.

How it works

Ippon-seoi-nage converts forward instability into a close back-and-shoulder carrying relationship.

  1. Kuzushi

    Create the imbalance

    Kuzushi is generally directed forward or toward a front corner. The sleeve action and movement of the gripping side help limit the opponent’s ability to withdraw the attacked arm or restore posture.

  2. Tsukuri

    Enter with control

    During tsukuri, the throwing-side arm travels under the armpit and the body turns into a position where the opponent can be carried. The shoulder and upper arm make a secure but controlled relationship with the opponent’s arm.

  3. Kake

    Complete the action

    Kake coordinates the two arms with trunk rotation and extension from the base. The opponent is projected forward over the shoulder-and-back line while the thrower retains control.

Key points

  • Kuzushi is generally directed forward or toward a front corner. The sleeve action and movement of the gripping side help limit the opponent’s ability to withdraw the attacked arm or…
  • During tsukuri, the throwing-side arm travels under the armpit and the body turns into a position where the opponent can be carried. The shoulder and upper arm make a secure…
  • Kake coordinates the two arms with trunk rotation and extension from the base. The opponent is projected forward over the shoulder-and-back line while the thrower retains control.

Similar techniques

TechniqueJapanese nameKey difference
Seoi-nage背負投Seoi-nage couples the opponent’s upper body to a turning trunk and shoulder line; Ippon-seoi-nage converts forward instability into a close back-and-shoulder carrying relationship.
Seoi-otoshi背負落Seoi-otoshi draws uke forward across the back; Ippon-seoi-nage converts forward instability into a close back-and-shoulder carrying relationship.
Sukui-nage掬投Sukui-nage scoops and lifts the lower body; Ippon-seoi-nage converts forward instability into a close back-and-shoulder carrying relationship.

Reference

Open the detailed source material when you need definitions, technical distinctions, training context, or references.

Official definition

Official definition

In the Kodokan’s representative form, the thrower breaks the opponent forward or toward a front corner, turns in, slides the throwing-side arm under the opponent’s armpit, and controls the opponent’s upper arm against the shoulder and upper arm. The other hand maintains sleeve control as the opponent is carried and projected.

The definition concerns the relationship of the arms and body. It allows right- and left-sided performance and does not require one fixed depth, stance, or knee position.

Technical principle

Ippon-seoi-nage converts forward instability into a close back-and-shoulder carrying relationship. The entering arm, sleeve hand, trunk rotation, and supporting legs work together to prevent the opponent’s upper body from separating during the turn.

Effective versions can be upright, compact, split-stance, or low. Their common feature is controlled projection through the characteristic arm connection, not a single silhouette.

Name and classification

Overview

Japanese一本背負投
Readingいっぽんせおいなげ
Romanisationippon-seoi-nage; common search form: ippon seoi nage
MeaningOne-arm shoulder throw
Martial artJudo
Official classificationKodokan te-waza
Current Kodokan statusIndependent official technique name
Gokyō no WazaNot one of the current 40 throws

Japanese name

The name is written 一本背負投. Ippon (一本) literally means “one” or “one piece” and here refers to the characteristic single-arm carrying form; seoi conveys carrying on the back, and nage means throw.

The Kodokan uses ippon-seoi-nage as a hyphenated romanisation. The common unhyphenated spelling “ippon seoi nage” refers to the same technique and should not be confused with an ippon score.

Kodokan classification

Ippon-seoi-nage is officially classified as te-waza. It is one of the Kodokan’s current 68 nage-waza and one of 16 hand techniques.

It is not a separate item in the current 40-technique Gokyō no Waza or in Nage-no-kata. That absence does not make it unofficial; the Gokyō and kata are selected teaching structures rather than complete lists of Kodokan throws.

Meaning of ippon-seoi-nage

“One-arm shoulder throw” is a practical translation, but it can mislead if read as meaning that only one arm is used. The non-throwing hand normally continues to control the opponent’s sleeve, while the entering arm secures the upper arm from beneath the armpit.

The name distinguishes this arm configuration from the ordinary two-handed judogi-grip form of seoi-nage.

Detailed execution

Kuzushi

Kuzushi is generally directed forward or toward a front corner. The sleeve action and movement of the gripping side help limit the opponent’s ability to withdraw the attacked arm or restore posture.

In randori, kuzushi often comes from a reaction to gripping, stepping, or a preceding attack rather than from a large preliminary pull.

Tsukuri

During tsukuri, the throwing-side arm travels under the armpit and the body turns into a position where the opponent can be carried. The shoulder and upper arm make a secure but controlled relationship with the opponent’s arm.

Entry depth and foot pattern vary with stance and direction. The important point is to preserve posture and connection rather than reaching back or relying on the arm alone.

Kake

Kake coordinates the two arms with trunk rotation and extension from the base. The opponent is projected forward over the shoulder-and-back line while the thrower retains control.

Dropping low can be part of the action, but a head-first dive is neither a defining feature nor an acceptable completion under current IJF safety rules.

Comparison with Seoi-nage

Seoi-nage and ippon-seoi-nage share forward kuzushi, a turning entry, and projection through a back-and-shoulder relationship. Both are Kodokan te-waza, and both can be performed from standing or lower positions.

The official difference lies in hand and arm use. In the representative seoi-nage, both hands retain judogi grips and the lapel-side forearm works beneath the opponent’s armpit. In ippon-seoi-nage, the throwing-side hand releases or changes its grip so that the arm enters more fully under the armpit and controls the opponent’s upper arm; the other hand controls the sleeve.

A one-knee entry is therefore not automatically ippon-seoi-nage, and a standing throw is not automatically seoi-nage. Nor does the informal term morote-seoi-nage create another official technique: the Kodokan treats it as the common two-handed form of seoi-nage.

For indexing and competition statistics, the final label should follow the action actually performed. In coaching, the distinction helps identify whether a failed entry comes from grip-and-arm connection, body position, or the later throwing phase.

Variations

Common forms

Common forms include standing and low entries, right-versus-right and right-versus-left applications, and attacks from sleeve, lapel, or less conventional legal grips. The entry may turn deeply or use a split stance to match the opponent’s movement.

Dojo labels such as “drop ippon-seoi-nage” describe an entry or height. The official technique name still depends on the arm connection and throwing mechanism, and a true downward seoi-otoshi action remains a different classification.

Relationship with Seoi-otoshi

Ippon-style arm control can also appear in a seoi-otoshi. The Kodokan separates that technique by its dropping action: one or both knees contact the mat as the opponent is pulled down, rather than being carried, lifted, and projected.

This is why labels based only on the grip can be incomplete. The arm configuration and the finishing mechanism must both be considered.

Training and safety

Training

Ippon-seoi-nage can be developed through uchikomi, controlled completion, combinations, and randori. Practice should include different stances and moving entries while retaining the distinction between secure upper-arm control and forceful trapping of the shoulder.

Because low entries can expose the head and neck, safe progression requires competent supervision, a suitable mat, and a receiving partner with reliable ukemi.

Competition rules

Competition

Ippon-seoi-nage is legal in senior IJF competition. Scoring follows the actual landing and the general throwing criteria in the IJF Sport and Organisation Rules dated 14 August 2026; the announced technique name does not itself guarantee ippon.

A deliberate head-first dive is punished by direct hansoku-make. In cadet competition, reverse seoi-nage receives no score and is penalised with shido. Organisers may apply further youth or national restrictions, which should be checked separately.

Sources