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Kimura Shōnosuke

Kimura Shōnosuke XXXVI wearing formal gyōji attire.
Kimura Shōnosuke XXXVI at Aichi Prefectural Gymnasium in July 2012. This is a historical holder of the name.
Image: てぃーふる / Wikimedia Commons · CC0 1.0

Kimura Shōnosuke

A senior office carried through successive lives.

Kimura Shōnosuke (木村庄之助) is the professional name associated with the senior tate-gyōji in sumo. Different referees have held it, so the name in a photograph or historical account needs a date or an ordinal to identify the individual. Its precedence over Shikimori Inosuke belongs to the hierarchy of officials, while its accumulated history is preserved in costumes, fans and documents. The office is especially associated with the final scheduled bout of a tournament day. This article concerns the name and institution across successive holders; a career, action or object associated with one Shōnosuke should not automatically be attributed to all the others.

01

Name

An inherited professional identity.

02

Holder

One person at a particular time.

03

Evidence

Costumes, fans and records preserve individual careers.

At a glance

Japanese
木村庄之助
Romanisation
Kimura Shōnosuke
Type of name
Inherited professional name
Position
Senior tate-gyōji
Distinctive rank indication
All-purple tassels

01

The name identifies an office and its holder

In an account of a specific tournament, Kimura Shōnosuke identifies the person then using the name. Across a longer history it identifies a succession. Numbering makes those two uses easier to separate. The name is therefore both a professional identity and a reference point for the history of the gyōji institution.

02

Shōnosuke stands above Inosuke

The modern hierarchy places Shōnosuke first and Shikimori Inosuke second. Assuming the senior name is an institutional advancement, not a change in the person’s biological family. The Association’s professional-name history for a recent holder explicitly records an Inosuke stage before the Shōnosuke name.

03

Early lineage needs careful interpretation

Encyclopaedic accounts trace the name through the Edo period, but also explain that later genealogies expanded the early sequence of holders. The conventional ordinal is useful for identification; it should not be treated as independent proof that every attributed early predecessor held an identical office. Dates, documents and the history of the numbering need to be considered together.

04

Objects preserve specific careers

The Sumo Museum’s 2013 exhibition presented costumes, gunbai, inrō and documents associated with successive Shōnosuke holders. These objects connect the abstract name to particular working lives.

A costume
The holder, maker, pattern and period.
A gunbai
Its user and any recorded history of transfer.
A document
The date, name in use and institutional context.

05

A costume can connect teacher and successor

The museum’s record for Shōnosuke XXXVII identifies a costume with interlocking circles and flower-diamond motifs. It also records his training under the referee who became Shōnosuke XXVII and his assumption of the senior name in November 2013. Such a catalogue entry preserves both material design and a documented professional relationship.

06

Read the ordinal with the date

A portrait of Shōnosuke XXXVI, a costume of XXXVII and an account of another holder are different records. The same caution applies to news: an individual retirement or appointment is an event in the name’s continuing history. The broader practice of shūmei helps explain inherited names, although sumo has its own institutional arrangements.

Sources

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