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Two judoka demonstrate o-soto-gari on a mat

O-soto-gari

O-soto-gari is a Kodokan ashi-waza that breaks the opponent backward and reaps one leg from the outside.

Two judoka demonstrate uchi-mata in white judogi

Uchi-mata

Uchi-mata is a Kodokan ashi-waza that breaks the opponent forward and sweeps upward against the inner thigh.

Two judoka demonstrate ippon-seoi-nage on a mat

Ippon-seoi-nage

Ippon-seoi-nage is a Kodokan te-waza distinguished from seoi-nage by its characteristic underarm and upper-arm control.

Two judoka demonstrate morote-seoi-nage on a mat

Seoi-nage

Seoi-nage is a Kodokan te-waza that carries a broken opponent onto the back and projects them over the shoulder line.

Jigoro Kano and Yoshitsugu Yamashita demonstrate uki-goshi

Gokyō no Waza

Gokyō no Waza is the Kodokan’s five-group teaching syllabus of 40 throws, revised in 1920 and distinct from the complete modern technique list.

Official Japanese cover of Tōten no Shishi volume 1

Tōten no Shishi

Tōten no Shishi is Baku Yumemakura’s four-volume historical martial-arts novel about the early Kodokan and the upheaval surrounding the creation of judo.

Judo practitioners kneeling in rows on a dojo mat before training

Judo Terminology

A structured guide to the Japanese words used for Judo practice, people, equipment, techniques, scoring, and etiquette.

Black-and-white portrait of Mitsuyo Maeda wearing a dark suit

Mitsuyo Maeda

Mitsuyo Maeda was a Kodokan judoka whose international contests, teaching, and settlement in Brazil formed an important link in the history of Brazilian jiu-jitsu.

Exterior of Eishoji Temple in Higashi-Ueno, Tokyo

Eishoji Temple

Eishoji is a Jodo Buddhist temple in Higashi-Ueno, Tokyo, remembered as the site where Jigoro Kano opened the first Kodokan dojo in 1882.

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Kyūzō Mifune

Kyūzō Mifune was a Kodokan 10th-dan judoka known for technical precision, teaching, kata development, and influential writing on judo.